In my work, I strive to implement participatory experiences that redefine the relationship between audiences and performers.

The Polaroid Project (2020)

My work utilizes hybrid practices that integrate dance with various forms of digital media to engage with audiences through both embodied and virtual experiences.

I Love you so much, SQUEEZE ME TO DEATH (2019)

My choreography is postmodern and blends classical forms with gestural and pedestrian movement. My movement  is distinct in its fluid, yet inorganic quality.

Crash (2016)
It Probably is Amber (2016)
Jukebox (2015)